|
|
|
|
||||||||||
|
|
|
|
|
|
|
|||||||
|
|
|
|
||||||||||
|
|
|
|||||||||||
|
|
|
|
|
|
|
|||||||
|
|
|
|||||||||||
|
|
|
|||||||||||
|
|
|
|||||||||||
|
|
|
|||||||||||
|
|
|
|||||||||||
|
|
|
|||||||||||
|
|
|
|
||||||||||
|
|
|
|||||||||||
|
|
|
|
|||||||||
| In an era before any digital tinkering with his results was possible, his was a technique that required intense concentration, patience and understanding of his subjects joined with a technical mastery that allowed rapid use of differing cameras and lenses to capture and compose the "right stuff" on film as it happened. |
|
|||||||||||
| other links |
|
|||||||||||
| Left: 1955, Grey Villet gets a close up. Top: 1960 Western U.S.A. the last great western cattledrive. Bottom: NYC Subway culture 1979. |
|
|||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|